Walala Tjapaltjarri was born in the late 1960s. He was born at Marua, near Lake Mackay. He grew up living a nomadic traditional way of life in the desert. His family had never come into contact with modern, Euro – Australian society. He had never seen a white person, and his family always thought the aeroplanes they saw flying overhead were ghosts or spirits. Before Tjapaltjarri was born, his father Lanti had lived for a short time at the mission in Balgo . But he had run away after getting into trouble for stealing food. It was his decision to stay in the desert, and kept his family far away from the towns. Tjapaltjarri’s mother was named Watjunka, and he was Watjunka’s only child. He also had two other step mothers, Papunya and Nanu, who were his father’s secondary wives (and his mother’s sisters). His father and Watjunka both died when he was young. The family finally came into contact with outsiders in October 1984, and were settled at Kiwirrkurra. He and his family became known as the last Aborigines living a traditional nomadic way of life in Australia.
Walala began painting in December 1987, a few years after settling at Kiwirrkurra. He was introduced to painting by Warlimpirrnga .He taught Tjapaltjarri about using paints and canvas. Tjapaltjarri joined the Papunya artists, and he, Thomas and Warlimpirrnga eventually gained fame internationally as the Tjapaltjarri Brothers. Although he normally paints using Tjapaltjarri as a Tjapaltjarri , Tjapaltjarri’s skin name is Tjapangati.
His paintings depict scenes from the Tingari cycle (sacred and secret songs about the ancestors of the Pintupi). The places he depicts in his paintings are part of his traditional country, including Marruwa, Mintarnpi, Wanapatangu, Mina Mina, Naami, Yarrawangu and Wilkinkarra Lake Mackay , These were places where the ancestors stopped for ceremonies when travelling across the country.
Tjapaltjarri uses acrylic paints on Canvas His early work was in the flowing “dot” style of painting typical of the Papunya Tula artists. His unique style became different during the late 1990s, and began to paint rigid rectangles replacing dotted lines with thick, solid lines.